11.04.2005

"Roads and Walls: Concrete Histories" Conference Rationale

Roads structure both licit and illicit traffic. Roads are the arteries of empire—and flat, open places for ball games. Roads destroy forests, and they guide personal quests. Roads bring us to the crossroads of science and desire; they offer us vantage points to see the rise and fall of kingdoms, colonies, nations, and empires. Roads run into walls. Walls mark the borders of territories; they guard the privacy of property and women’s purity; they make safe and secure spaces. Walls cordon off disciplines and diseases; their barriers are essential to human biology and academic analysis. Roads and walls both offer the charisma of powerful objects—but, more than other objects, they take us into the heart of questions that matter in social and cultural theory today. They are both concrete and abstract designs for power, and for everyday life. They show us where geopolitics and family values are mutually formed. They confront us with the intertwined intimacies of industrial and vernacular design.

Using the ability of roads and walls to speak to questions that matter, we propose a graduate student conference on the social histories of roads and walls. We are looking for papers in which concrete histories of particular roads and walls open abstract questions of power and knowledge. We seek papers from every disciplinary and subdisciplinary perspective; however, the papers should address a core audience of anthropologists. The conference will consider how histories of these strategic objects can enrich social and cultural theory—and our knowledge of the world.

If social theory in the 1990s was dominated by questions of global integration, the new century has opened to questions of geopolitical hegemony and difference. One advantage of these new questions is that they take us back to ancient empires and their hinterlands as well as to emerging models of the future; they require our attention to religion, hierarchy, and embedded custom, as well as market flows. Social histories of roads and walls offer an exemplary model of the new scholarship that we believe is needed. Alert to both the past and the present, both difference and interconnection, and both the abstract and the concrete, roads and walls show us how the architecture of social life forms and reforms us.

We seek provocative, insightful and historically and materially grounded papers that take up these questions for a one-day, intimate symposium at the Department of Anthropology, UC Santa Cruz. Senior scholars from across the nation and across the disciplines will comment upon the papers and convene discussions.

Midnight University: "Talking Objects, Moving Forms"

MATTER PERFORMS.

The graduate students of the anthropology department at the University of California, Santa Cruz, invite submissions for an evening of intellectual dialogue and innovative expression about the material and imagined lives of objects.

FORM TAKES MOTION.

Connected to and inspired by a graduate student conference “Roads and Walls: Concrete Histories” to be held the same day at UCSC, “Talking Objects, Moving Forms” will provide a chance for students at all stages of the graduate school process to share ideas about the world of things.

THINGS WORK.

This world is not stable, but constantly in motion. We might think of the presentation of objects as a station–-a moment of suspended animation--in an unpredictable swirl of places and histories. What stations can we visit? What forms can our suspension take?

HOW DO WE PERFORM THE MOTION OF THINGS?

Please join us for a provocative evening of academic performances, dances, photography, film, and reflection.

Friday, March 3rd. 9:00 PM. Kresge Town Hall, UCSC.

OBJECTS & PRESENTERS:
Grupo Folklórico Los Mejicas on Ranches;
Nina Schnall on Couches;
Phil Steinberg on Vehicles & Bulidings;
Steve Nava on Postcards;
Megan Moodie on Bandages;
Diane Gifford-Gonzalez on Bones;
Lauren Szczesny-Pumarada on a Factory;
Julia Elizabeth Lonergan on Ruins and Petroglyphs;
Aviva Sinervo on Tourist Snapshots;
Bahiyyih Watson on Streets, Signs, and Finite Walls;
Heath Cabot on Paper;
Jeremy Campbell on Guano;
Anna Shneiderman & Hilary Hayes on Mirrors;
Julia Crothers on Boxes;
Charles Hall on Houses;
Teseo Fournier West on Stamps